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Florence Quivar : ウィキペディア英語版
Florence Quivar
Florence Quivar (born March 3, 1944 in Philadelphia, Pennsylvania) is an American operatic mezzo-soprano who was considered to be "one of the most prominent singers of her generation."〔All Media Guide, LLC (2006). through Google cache. Retrieved on February 8, 2007.〕 She has variously been described as having a "rich, earthy sound and communicative presence"〔New York Times Company (August 25, 2001). (Understated Elegance Spiced With Surprises ) by Anthony Tommasini. Retrieved on February 8, 2007.〕 as "always reliable"〔New York Times Company (May 29, 1999). (Masur Adds Some Curves To the Angles Of the Missa ) by Bernard Holland. Retrieved on February 8, 2007.〕 and as "a distinguished singer, with a warm, rich voice and a dignified performing presence."〔New York Times Company (July 31, 1998). (Classical Music and Dance Guide ) (various authors). Retrieved on February 8, 2007.〕
==Early life and education==
Quivar first became interested in music as a child. Her mother was a piano and voice teacher who also formed the gospel group the "Harmonic Choraliers". Quivar studied piano and voice with her mother as a child and began singing solos at church by age six. As a teenager she became interested in opera when she saw the Metropolitan Opera's touring production of ''Madama Butterfly'' to Philadelphia. Although she wanted to pursue a performing career, Quivar initially decided to pursue a career as an elementary school teacher and enrolled in a teachers' college. After just one day of classes, she realized that her true love was really music, and soon enrolled in the Philadelphia Academy of Music. After graduating, she entered the Juilliard School in 1975. Although she did not stay at the school very long, she did appear as Ježibaba and the Foreign Princess in Dvořák's ''Rusalka'' at the Juilliard Opera Center.〔Forbes, Grove Music Online〕 She later studied privately with Marinka Gurewich in New York City.
Quivar returned to Philadelphia to study in master classes with Maureen Forrester where she began to focus in on lieder and oratorio repertoire. She made her professional recital debut in Philadelphia in 1976 as part of the Franklin Concert Series. That same year, she won the Baltimore Lyric Opera Competition and then returned to New York where she won the Marian Anderson Award. These competition wins drew the attention of noted impresario Harold Shaw and quickly led to engangements at the Metropolitan Opera and orchestras throughout the United States.〔(Allmusic )〕

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